Over the next 16 years, until his death six months before the museum opened, Wright worked to bring his unique vision to life. To Wright’s fans, the museum that opened on October 21, 1959, was a work of art in itself. Inside, a long ramp spiraled upwards for a total of a quarter-mile around a large central rotunda, topped by a domed glass ceiling. Reflecting Wright’s love of nature, the 50,000-meter space resembled a giant seashell, with each room opening fluidly into the next.
Wright’s groundbreaking design drew criticism as well as admiration. Some felt the oddly-shaped building didn’t complement the artwork. They complained the museum was less about art and more about Frank Lloyd Wright. On the flip side, many others thought the architect had achieved his goal: a museum where building and art work together to create “an uninterrupted, beautiful symphony.”
Located on New York’s impressive Museum Mile, at the edge of Central Park, the Guggenheim has become one of the city’s most popular attractions. In 1993, the original building was renovated and expanded to create even more exhibition space. Today, Wright’s creation continues to inspire awe, as well as odd comparisons—a Jello mold! a washing machine! a pile of twisted ribbon!—for many of the 900,000-plus visitors who visit the Guggenheim each year.
– History.com Staff