Starring Matt Damon, Tommy Lee Jones & Alicia Vikander
Directed by Paul Greengrass
For espionage fans, Jason Bourne has always been the spy who can’t remember. Based on the character created by novelist Robert Ludlum, he’s appeared previously in three movies (2002-2007) played by Matt Damon, who now returns to the role (after sitting on the sidelines for the oddly Bourne-less The Bourne Legacy, starring Jeremy Renner, in 2012).
A former brainwashed CIA killing machine who went rogue as his head began to clear, Bourne, has been wandering the Earth for the past decade (apparently) in an existential quest to distance himself from the murderous, amnestic murk of his tortured past.
When his old colleague Nicky Parsons (Julia Stiles) hacks into a government computer, she discovers files suggesting that Bourne’s late father might have been involved in the clandestine government program that “indoctrinated” his young son into the CIA and erased his previous life. She tracks Bourne down to tell him, and it puts both of them in serious danger.
Learning that sensitive, covert computer files have been breached, CIA director (Tommy Lee Jones) knows the situation requires drastic action. If Bourne and Parsons leak those files, one of his advisors frets, “It could be worse than Snowden.”
That means calling on the agency’s top assassin, known only as “the Asset” (Vincent Cassel), to “cut the head off this thing.”
Alicia Vikander plays an ambitious CIA cyber-ops expert who thinks she can bring Bourne back in to the side of the good guys. But will she get the chance? And the line between “good” guys and “bad” guys gets plenty blurry.
There’s also a plotline about a gigantic new cybertech company, Deep Dream, and its charismatic owner (Riz Ahmed), whose ties to the CIA bring up some timely, troubling concerns about privacy and governmental policing.
A generous amount of globetrotting culminates in a slam-bang Las Vegas crescendo involving a hotel sniper, a brutal back-alley brawl and a colossal downtown chase, dozens of smash-ups and a “jackpot” of a crash inside the Riviera casino.
Paul Greengrass, who also directed two films of the original Bourne trilogy, is behind the camera again—but can’t seem to hold it steady for a single scene. The director’s penchant for woozy, wobbly “shakycam” shots is meant to convey edge, movement and action, but man, it sure gets old. Even when characters are having a calm conversation, the camera is fidgeting like it can’t wait to split.
And spy flicks have always been about thrills, danger and even death—but this Bourne feels and looks especially grim, glum and grungy, especially given the tenor of the times. Gunmen on rooftops, bombs, civilians dying in the fray, government corruption, a mopey Matt Damon—there ain’t no escapist sunshine here, folks.
“I remember… I remember,” Bourne intones at the beginning of the movie. By the end, the audience may remember, too—that there were other, not-quite-so-downer choices at the multiplex.
—Neil Pond, Parade Magazine